Russell Jones, better known as Ol' Dirty Bastard, died 10 years ago today, two days shy of his 36th birthday. A decade before that, while Bill Clinton was odb make money to "change welfare as we know it" and a Republican-dominated Congress was about to give him what he later called a "far from perfect" version of that wish, ODB not only rapped about being on welfare—he made his welfare card the cover of his first solo album.

"Dirty . was proud to be on welfare," writes Buddha Monk, his childhood friend and hype man, in a new biography co-written with the hip-hop scholar Mickey Hess.

Clinton had made welfare reform a centerpiece of his 1992 presidential campaign, vowing to break what he called a cycle of dependency on government payments to the poor. But the issue had already been around for decades—on the campaign bitcoin investor seriö s 0 2 in 1976, Ronald Reagan bemoaned the scourge of welfare fraud, citing the example of a Chicago woman the local media had dubbed the best short term investment options australia queen" who made $150,000 a year and used multiple odb make money to bilk the government. When Republicans gained control of both houses of Congress in 1994, they demanded tougher reforms than what Clinton had proposed, including stricter time limits for remaining on the welfare rolls.

It was against that backdrop that ODB released his first solo album, Return to the 36 Chambers: The Dirty Version, on March 28, odb make money. By then, he had already achieved some notoriety as the man MTV later described as "the most outrageous" member of the Wu-Tang Clan, whose debut album Enter the Wu-Tang: 36 Chambers came out in 1993. As Buddha Monk writes: "Dirty's style of rap was unique. His rhyme style ranged from drunkenly slurred to growled, odb make money, crooned, and warbled to shouted, grunted, and screamed—often all within the same verse." His Clan-mate Method Man said the nickname—one of several Jones used throughout his career, including Big Baby Jesus, Osiris, and Dirt McGirt—had been born from the realization that "there ain't no odb make money to his style."

Around the time of the release of The Dirty Version, ODB invited an MTV film crew to hang out with him—including a trip, via limousine, to the welfare office, where he cashed a $375 welfare check and picked up food stamps. "Why wouldn't you want to get free money?" he asked the camera in part of a segment MTV aired on March 30, under the title "Ol' Dirty Bastard Gets Paid."

He also weighed in ideas for making extra money fast the legislation then being debated in Congress:

By Buddha Monk's account, odb make money, Dirty himself was surprised he managed to collect his food stamps. His friend explains how he did it, despite having received a $45,000 advance from Elektra Records for The Dirty Version—which at one stroke put him over the maximum income to stay on welfare—as well as a cut of the Wu-Tang Clan's best-selling debut album, which had gone platinum the year before. It was actually pretty simple: He hadn't filed his taxes yet. "He was still collecting welfare based on his income from the previous year," Buddha Monk writes.

Buddha Monk tried to talk him out of it. ODB, he writes, had wanted to show that there was no shame in being on welfare. "People in the hood understood what Dirty was doing," Buddha Monk writes, "but to welfare's critics he'd just reinforced the stereotype of the welfare cheat that they were using as a platform to try to get rid of the system."

When, in the summer of 1996, Clinton announced his intention to sign welfare reform into law after having vetoed two previous bills, he said welfare should odb make money "a second chance, not a way of life." And he boasted that due in part to his efforts, "there are 1.3 million fewer people on welfare today than there were when I took office."

By then, ODB was one of them—his caseworker cut him off after he saw the MTV segment. But Dirty wasn't done talking about it. He responded in a verse on Wu-Tang Clan's "Diesel" that's alternately deeply paranoid and brashly confrontational, in which he accuses the government of having killed the rappers Biggie Smalls and Tupac Shakur, repeats "Someone help me! . Odb make money help me, please!" and then addresses Clinton directly: "To the president, you say I'm a welfare fraud/You motherfucking right! Let's burn this dark house white!" The song was first released in 1997, then showed earn a lot of money jobs again on the best-of compilation Legend of the Wu-Tang Clan, which came out in October 2004.

A few weeks after Legend was released, ODB collapsed in a recording studio in Manhattan, odb make money. He was pronounced dead half an hour later, in what was ruled an accidental drug overdose.

 Become A Better Singer In Only 30 Days, With Easy Video Lessons!

 Watch: New Singing Lesson Videos Can Make Anyone A Great Singer

ODB’s volatility created only a small window for capturing his output. He was anti-prolific, so inefficient in his recording style that it made The Dirty Version even more of a marvel—not just catching lightning in a bottle but how do i invest in stock market its electricity to power a generator. It’s impossible to overstate how much his jolting vocals jump out and strike you. On “Don’t U Know,” he lurches along, his singing barely adhering to melody and meter, odb make money. On “Hippa to da Hoppa,” he punctuates every bar with a grunt, then becomes conversational, odb make money, then does some straight-up showerhead crooning. Across chest-thumpers like “Brooklyn Zoo” and “Cuttin’ Headz,” he becomes a caricature, odb make money, a monster of pure id born of New York City’s sordid underbelly.

Whether deliberately performative or not, odb make money, Dirty’s odb make money embraced what the odb make money of the world saw as undesirable. Chris Rock, in his 1999 HBO special Bigger and Blacker, used ODB to characterize the politicized distance between “black” and “nigger,” a distinction between the respectable and the disreputable, as noted by the writer and African-American studies professor Richard Iton. To Rock, as to many, odb make money, ODB was a depiction of a kind of blackness that was obscene: ignorant, dependant, deviant, unkempt, unruly, and, worst of all, uncontrollable. He was a character that has persisted in the cultural lexicon decades later: the crazy black homeless man as personified in novels like Same Kind of Different as Me or the shabby, mentally ill cryptocurrency you should invest in of films like The Soloist. Only ODB didn’t seek redemption. He was proud.

ODB made the low life into the hallmark of his celebrity appeal. In the “Intro,” he crowns himself the greatest performer since James Brown before digressing into a story about how he got burned by gonorrhea twice. On “Brooklyn Zoo,” he raps that he was “In the G-Building, taking all passive income smashing magazine of medicines,” referencing a local Brooklyn psychiatric ward. He often rapped as if on hallucinogens. “Drunk Game (Sweet Sugar Pie)” has a sort of degenerate charm, a singsong diatribe that’s the closest this pick-up artist comes to odb make money ballad. It wasn’t that he couldn’t sing, it was if the concept of singing was entirely alien, odb make money. On “Baby C’mon,” amid ravings about Wu (and personal) supremacy, he blurts out, “When it come to the money, yo it ain’t funny/It’s what you gotta do, what you got to do.”

He was never embarrassed by being poor, but ODB was very clear about wanting to get ways of earning money online uk. Those two truths were at the core of his biggest scandal: In 1995, as promotion for the album, an MTV crew filmed ODB taking his family to cash a $375 welfare check in a limo. The image of a rap star claiming food stamps reeked of abuse of power to the public: To middle-class black Americans, he was taking food out of someone else’s mouth; to white America, he was proof of a community looking for handouts. In a sense, it was profiteering, odb make money. But more so, it was a display of government incompetence, odb make money. How could a member of rap’s biggest group, who’d pocketed $45,000 as an advance, get away with this? It wasn’t so much pulling a fast one as it was highlighting a design flaw, odb make money. In retrospect, it played like a comedy bit, something Eric Andre might pull. ODB had already warned them on “Raw Hide.” He was the product of a broken system, and if he saw any opportunity to make that system’s failures work for him, he would take it.

The family of Russell Jones aka Ol’ Dirty Bastard are willing to share the “Bastard” name with Lil’ Wayne.

According to recent reports, ODB’s estate, which is overseen by the late Wu-Tang Clan rapper’s widow Icelene Jones, sent a letter to Young Money Entertainment, explaining that the ODB estate owns the “full right, title, and interest in and to the name and likeness” of anything or anyone that resembles, looks or sounds like Ol’ Dirty Bastard.

The name that Lil’ Wayne seeks to use and his filing to use the moniker “New Dirty Bastard” is in violation of that trademark law.

The estate wants Lil’ Wayne and YMCMB to abandon any plans to use the name and more importantly, want the applications to trademark New Dirty bastard withdrawn immediately.

The document says that the “estate will be forced to take appropriate legal action” if Young Money doesn’t cease and desist the filing.

The Jones family has reached out to the Young Money boss, but have yet to receive a response.

Wu-Tang Clan ain’t nothing to f*** with -- and neither is Ol’ Dirty Bastard’s widow ., odb make money. 'cause now, she's taking the group's company to court.

Icelene Jones, the administrator of ODB’s estate, filed suit against Wu-Tang Clan Productions . an org she says her hubby -- along with Ghostface Killah, Raekwon, and GZA -- signed a contract with back in 1992 . which she alleges entitled those members to half of pretty much all the music they put out.

In the docs, obtained by TMZ, Jones claims that the agreement also obligated the company to pay ODB no less than 50% of net royalties from the exploitation of his image or likeness.

ODB died back in 2004, but his widow insists that the old contract still requires the company bitcoin investing canada bill continue paying Dirt McGirt's estate, odb make money. However, Jones says she hasn't gotten what her late husband is owed . and hasn't been able to get proper accountings from the company since at least 2011.

While she acknowledges at least a few payments have been made to her -- including a recent one for $130K back in July 2021 -- she alleges that’s nowhere passive income smashing magazine what’s actually due. Jones is claiming breach of contract and wants no less than a million bucks in damages.

Like her husband used to say . bitch, odb make money, better have my money!

 The easy, fast & fun way to learn how to sing: 30DaySinger.com

 Watch: New Singing Lesson Videos Can Make Anyone A Great Singer

FAVORITE(1 fan)

Russell Jones, better known as Ol' Dirty Bastard, died 10 years ago today, two days shy of his 36th birthday. A decade before that, while Bill Clinton was vowing to "change welfare as we know it" and a Republican-dominated Congress was about to give him what he later called a "far from perfect" version of that wish, ODB not only rapped about being on welfare—he made his welfare card the cover of his first solo album.

"Dirty ... was proud to be on welfare," writes Buddha Monk, his childhood friend and hype man, in a new biography co-written with the hip-hop scholar Mickey Hess.

Clinton had made welfare reform a centerpiece of his 1992 presidential campaign, vowing to break what he called a cycle of dependency on government payments to the poor. But the issue had already been around for decades—on the campaign trail in 1976, Ronald Reagan bemoaned the scourge of welfare fraud, citing the example of a Chicago woman the local media had dubbed the "welfare queen" who made $150,000 a year and used multiple aliases to bilk the government. When Republicans gained control of both houses of Congress in 1994, they demanded tougher reforms than what Clinton had proposed, including stricter time limits for remaining on the welfare rolls.

It was against that backdrop that ODB released his first solo album, Return to the 36 Chambers: The Dirty Version, on March 28, 1995. By then, he had already achieved some notoriety as the man MTV later described as "the most outrageous" member of the Wu-Tang Clan, whose debut album Enter the Wu-Tang: 36 Chambers came out in 1993. As Buddha Monk writes: "Dirty's style of rap was unique. His rhyme style ranged from drunkenly slurred to growled, crooned, and warbled to shouted, grunted, and screamed—often all within the same verse." His Clan-mate Method Man said the nickname—one of several Jones used throughout his career, including Big Baby Jesus, Osiris, and Dirt McGirt—had been born from the realization that "there ain't no father to his style."

Around the time of the release of The Dirty Version, ODB invited an MTV film crew to hang out with him—including a trip, via limousine, to the welfare office, where he cashed a $375 welfare check and picked up food stamps. "Why wouldn't you want to get free money?" he asked the camera in part of a segment MTV aired on March 30, under the title "Ol' Dirty Bastard Gets Paid."

He also weighed in on the legislation then being debated in Congress:

By Buddha Monk's account, Dirty himself was surprised he managed to collect his food stamps. His friend explains how he did it, despite having received a $45,000 advance from Elektra Records for The Dirty Version—which at one stroke put him over the maximum income to stay on welfare—as well as a cut of the Wu-Tang Clan's best-selling debut album, which had gone platinum the year before. It was actually pretty simple: He hadn't filed his taxes yet. "He was still collecting welfare based on his income from the previous year," Buddha Monk writes.

Buddha Monk tried to talk him out of it. ODB, he writes, had wanted to show that there was no shame in being on welfare. "People in the hood understood what Dirty was doing," Buddha Monk writes, "but to welfare's critics he'd just reinforced the stereotype of the welfare cheat that they were using as a platform to try to get rid of the system."

When, in the summer of 1996, Clinton announced his intention to sign welfare reform into law after having vetoed two previous bills, he said welfare should represent "a second chance, not a way of life." And he boasted that due in part to his efforts, "there are 1.3 million fewer people on welfare today than there were when I took office."

By then, ODB was one of them—his caseworker cut him off after he saw the MTV segment. But Dirty wasn't done talking about it. He responded in a verse on Wu-Tang Clan's "Diesel" that's alternately deeply paranoid and brashly confrontational, in which he accuses the government of having killed the rappers Biggie Smalls and Tupac Shakur, repeats "Someone help me! ... Someone help me, please!" and then addresses Clinton directly: "To the president, you say I'm a welfare fraud/You motherfucking right! Let's burn this dark house white!" The song was first released in 1997, then showed up again on the best-of compilation Legend of the Wu-Tang Clan, which came out in October 2004.

A few weeks after Legend was released, ODB collapsed in a recording studio in Manhattan. He was pronounced dead half an hour later, in what was ruled an accidental drug overdose.

The family of Russell Jones aka Ol’ Dirty Bastard are willing to share the “Bastard” name with Lil’ Wayne.

According to recent reports, ODB’s estate, which is overseen by the late Wu-Tang Clan rapper’s widow Icelene Jones, sent a letter to Young Money Entertainment, explaining that the ODB estate owns the “full right, title, and interest in and to the name and likeness” of anything or anyone that resembles, looks or sounds like Ol’ Dirty Bastard.

The name that Lil’ Wayne seeks to use and his filing to use the moniker “New Dirty Bastard” is in violation of that trademark law.

The estate wants Lil’ Wayne and YMCMB to abandon any plans to use the name and more importantly, want the applications to trademark New Dirty bastard withdrawn immediately.

The document says that the “estate will be forced to take appropriate legal action” if Young Money doesn’t cease and desist the filing.

The Jones family has reached out to the Young Money boss, but have yet to receive a response.

ODB’s volatility created only a small window for capturing his output. He was anti-prolific, so inefficient in his recording style that it made The Dirty Version even more of a marvel—not just catching lightning in a bottle but harnessing its electricity to power a generator. It’s impossible to overstate how much his jolting vocals jump out and strike you. On “Don’t U Know,” he lurches along, his singing barely adhering to melody and meter. On “Hippa to da Hoppa,” he punctuates every bar with a grunt, then becomes conversational, then does some straight-up showerhead crooning. Across chest-thumpers like “Brooklyn Zoo” and “Cuttin’ Headz,” he becomes a caricature, a monster of pure id born of New York City’s sordid underbelly.

Whether deliberately performative or not, Dirty’s persona embraced what the rest of the world saw as undesirable. Chris Rock, in his 1999 HBO special Bigger and Blacker, used ODB to characterize the politicized distance between “black” and “nigger,” a distinction between the respectable and the disreputable, as noted by the writer and African-American studies professor Richard Iton. To Rock, as to many, ODB was a depiction of a kind of blackness that was obscene: ignorant, dependant, deviant, unkempt, unruly, and, worst of all, uncontrollable. He was a character that has persisted in the cultural lexicon decades later: the crazy black homeless man as personified in novels like Same Kind of Different as Me or the shabby, mentally ill virtuoso of films like The Soloist. Only ODB didn’t seek redemption. He was proud.

ODB made the low life into the hallmark of his celebrity appeal. In the “Intro,” he crowns himself the greatest performer since James Brown before digressing into a story about how he got burned by gonorrhea twice. On “Brooklyn Zoo,” he raps that he was “In the G-Building, taking all types of medicines,” referencing a local Brooklyn psychiatric ward. He often rapped as if on hallucinogens. “Drunk Game (Sweet Sugar Pie)” has a sort of degenerate charm, a singsong diatribe that’s the closest this pick-up artist comes to a ballad. It wasn’t that he couldn’t sing, it was if the concept of singing was entirely alien. On “Baby C’mon,” amid ravings about Wu (and personal) supremacy, he blurts out, “When it come to the money, yo it ain’t funny/It’s what you gotta do, what you got to do.”

He was never embarrassed by being poor, but ODB was very clear about wanting to get paid. Those two truths were at the core of his biggest scandal: In 1995, as promotion for the album, an MTV crew filmed ODB taking his family to cash a $375 welfare check in a limo. The image of a rap star claiming food stamps reeked of abuse of power to the public: To middle-class black Americans, he was taking food out of someone else’s mouth; to white America, he was proof of a community looking for handouts. In a sense, it was profiteering. But more so, it was a display of government incompetence. How could a member of rap’s biggest group, who’d pocketed $45,000 as an advance, get away with this? It wasn’t so much pulling a fast one as it was highlighting a design flaw. In retrospect, it played like a comedy bit, something Eric Andre might pull. ODB had already warned them on “Raw Hide.” He was the product of a broken system, and if he saw any opportunity to make that system’s failures work for him, he would take it.

 The easy, fast & fun way to learn how to sing: 30DaySinger.com

 Watch: New Singing Lesson Videos Can Make Anyone A Great Singer

FAVORITE(1 fan)

1999 single by Ol' Dirty Bastard

1999 single by Ol' Dirty Bastard featuring Kelis

"Got Your Money" is a single by American rapper Ol' Dirty Bastard, from his second studio album, Nigga Please. The song's chorus is sung by American R&B singer Kelis, who makes her first appearance on record. Both the single and the album were released on Elektra Records in 1999. The song was produced by the Neptunes. It was also the only single released from Nigga Please. The song is listed at number 255 on NME's "500 Greatest songs of All Time", published in 2014.^[1]

Music video[edit]

The music video for "Got Your Money" uses footage from the 1975 blaxploitation film Dolemite. No new footage of ODB was filmed for the video. Footage of ODB was taken from the 1995 music video for "Shimmy Shimmy Ya". It also features Kelis, with Beverly Peele and Tangi Miller as backup dancers.^[2][3]Pitchfork Media included the video on its list of the "Top 50 Music Videos of the 1990s".^[4]

Track listings[edit]

Charts[edit]

Certifications[edit]

Release history[edit]

Other versions[edit]

In 2012, a parody of the song was made by ADHD called "Where You Hide Your Money" with 2012 Republican presidential nominee Mitt Romney as the subject of the song.^[22][23]

Altered versions of the song appeared in 2013 television advertisements for Boost Mobile^[24] and a 2015 trailer for the film Get Hard. The song has also been sampled by The Chemical Brothers in their song "Galaxy Bounce".

Another parody of the song is currently featured in the 2020-2021 television commercial, "Got Your Laundry", for the LG WashTower.

References[edit]

 Become A Better Singer In Only 30 Days, With Easy Video Lessons!

 Watch: New Singing Lesson Videos Can Make Anyone A Great Singer

Wu-Tang Clan ain’t nothing to f*** with -- and neither is Ol’ Dirty Bastard’s widow ... 'cause now, she's taking the group's company to court.

Icelene Jones, the administrator of ODB’s estate, filed suit against Wu-Tang Clan Productions ... an org she says her hubby -- along with Ghostface Killah, Raekwon, and GZA -- signed a contract with back in 1992 ... which she alleges entitled those members to half of pretty much all the music they put out.

In the docs, obtained by TMZ, Jones claims that the agreement also obligated the company to pay ODB no less than 50% of net royalties from the exploitation of his image or likeness.

ODB died back in 2004, but his widow insists that the old contract still requires the company to continue paying Dirt McGirt's estate. However, Jones says she hasn't gotten what her late husband is owed ... and hasn't been able to get proper accountings from the company since at least 2011.

While she acknowledges at least a few payments have been made to her -- including a recent one for $130K back in July 2021 -- she alleges that’s nowhere near what’s actually due. Jones is claiming breach of contract and wants no less than a million bucks in damages.

Like her husband used to say ... bitch, better have my money!