Money maker lyrics country - join
[Intro: 2 Chainz]
(Ive been, just goin crazy)
Southern University
(Whats up with yall?)
Alabama State
(Yeah, we back, Im back)
FAMU
(Shit, you know)
Clark Atlanta
(It feel good to be back)
Uh
[Chorus: 2 Chainz]
Now shake your money-maker
Dont let that money make ya
I shake that money-maker (Uh)
Dont let that money make ya
Oh, shake your money-maker (Yeah)
Dont let that money make ya
Oh, shake your money-maker (Tony)
Dont let that money make ya, baby
(Lets go)
[Verse 1: 2 Chainz]
Yeah, now shake your money-maker (Money)
Dont let that money make ya
You know I come to date you, and Ill accommodate ya
Ill make you cum, I ate you, I know your home lately
I turn your curly hair into that bone straightener
I make you moan, baby (Moan)
It feel right, dont it? I know Im wrong, baby (Wrong)
That pheromone fragrance, cant miss no car payments (No)
I kiss her earlobe, like, What you doin later (What you doin')
The broken alligator, them lames agitate ya
Im talkin natural beauty, no make-up applicator (No need)
She say I killed the pussy (Kill it), I seen the affidavit
She blew my cap off (Blew it) like I had graduated (Tell em)
The roof decapitated, the booth contaminated (Damn)
Ayy, check my face card, I bet its laminated (True)
My jewelry carbonated, my yard a hundred acres (A hunnid)
Id like to nominate you to roll my dice in Vegas
[Chorus: 2 Chainz & Lil Wayne]
(Yeah) Now shake your money-maker
Dont let that money make ya
I shake that money-maker (Uh)
Dont let that money make ya (Yeah, yeah, yeah)
Oh, shake your money-maker (Yeah)
Dont let that money make ya
Oh, shake your money-maker (Collegrove)
Dont let that money make ya, baby (Collegrove)
(Lets go)
[Bridge: Lil Wayne]
(Yeah)
You can have a piece of my love
Collegrove
Is waiting for you
Collegrove
Girl, its true
Uh, yeah, uh
[Verse 2: Lil Wayne]
I dont do cap (No), I dont do cap (No)
I dont do yap (Yeah), I make it hap (Yeah)
I dont wan rap (Yeah), I just wan tap
Bitch, make it clap, blapp-blapp-blapp-blapp
Work that ass back, back-back-back-back
And now that ass fat, it used to be flat
What happened to that? Then she made it blatt
She say, How it feel? I say, It feel like facts
Then she start twerkin (Yeah), this life a circus
You can ask Barnum, you can ask Bailey (Woah)
We dont need love, we just need favors
Put that on repeat and dont change the station (Woah)
Daddy aint cheap, and mama aint basic
And mama agree that daddy the greatest
And all I could see is ass-ass, ass-ass-ass, Im in the matrix
This dick a tummy acher (Yeah), this dick a jumper cable (Uh)
Girl, let my tongue invade you, then let that cum escape you (Yeah)
Shake that money-maker, shake it lemon pepper
Like a salt shaker, give my high blood pressure, yeah (Woah)
[Chorus: 2 Chainz & Lil Wayne]
Now shake your money-maker (Shake that money-maker)
Dont let that money make ya (Dont let that money make ya)
Now shake that money-maker (Now shake that money-maker)
Dont let the money make ya (Dont let that money make ya)
Oh, shake your money-maker (Shake your money-maker)
Shoutout to all the HBCUs out there
Dont let that money make ya (Dont let that money)
Oh, shake your money-maker (Shake that money)
Dont let that money make ya, baby (Dont let that money)
(Lets go, yeah)
[Outro: 2 Chainz & Lil Wayne]
You know, A&M, Alcorn, Jackson State (Shake that money)
Grambling, you knowhat Im sayin, Texas Southern
Skegee, Morehouse, TSU, Fort Valley
Knowhat Im sayin, we black
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Источник: [www.oldyorkcellars.com]
Stirring popular sayings of the day into a fluid melody is certainly one proven way to score a country hit. Thomas Rhett is hoping that formula works for 'Get Me Some of That,' the new single from his debut 'It Goes Like This' album.
While lumbering up to a purdy girl and grunting, "Daaanggg! I gotta get me some of that" is likely to get a country boy slapped, Rhett makes the sentiment sound sweeter than Georgia tea in this song. His chorus is unique in a familiar setting. Each word plays off the beat of the previous two.
"You're shakin' that money maker, like a heart breaker, like your college major / Was twistin' and tearin' up Friday nights / Love the way you're wearin' those jeans so tight," he sings. It's an intoxicating hook that works to drop the listener into the club.
Essentially, 'Get Me Some of That' is another song about picking up a girl, but Rhett is smart enough to know it's not what you say, but how you say it. At just 23, he isn't far-removed from the bar scene; actually if he weren't happily married and famous, he could be the scruffy cowboy saying:
"Yeah girl, been diggin' on you / Sippin' on drink number two / Tryin' to come up with somethin' smooth / And waitin' on the right time to make my move."
Michael Carter teamed with Rhett Akins and Cole Swindell to pen this uptempo single, the fourth from Rhett's just-released album.
Why Fans Will Love It: 'Get Me Some of That' is a clever turn of a popular expression. The hook is colorful and catchy.
Key Lyrics: "I bet your kiss is a soul saver, my favorite flavor, want it now and later / I never seen nothin' I wanted so bad / Girl, I gotta get me, gotta get me some of that"
Did You Know?: Thomas Rhett admits he went through a stage where he tried to avoid his father's shadow, but now says having him in a writing room is like having a best friend to work with. The '90s hitmaker let his son find his own way to success instead of offering to help out early.
Listen to Thomas Rhett, 'Get Me Some of That'
It was the turn of the decade and the rock world needed something fresh to break through the glut of highly produced hair metal / hard rock that was flooding the airwaves. Though grunge would eventually be the force to overturn rock radio as we knew it a year later, The Black Crowes eventually became the breakout band in that started to show there was finally a fresh appetizer on the menu.
This strong five-piece rock band emerged as a force with their debut album, Shake Your Money Maker a record that embraced early era rock's soulful R&B influences while bringing back a Rolling Stones-esque swagger for a new generation.
The group started six years earlier with brothers Chris and Rich Robinson forming Mr. Crowe's Garden in while still teenagers. The group went through a series of other members in the years leading up to settling on a lineup that would eventually playing on Money Maker and the changes didn't stop after the album was recorded. Guitarist Jeff Cease played on the record, but eventually gave way to Marc Ford who would handle duties on their second record. Johnny Colt played bass on four albums, while drummer Steve Gorman was the other constant through the band's entire first era prior to their reunion.
The early years provided some challenges with a still underage Rich Robinson having to hide out in the car at times before being allowed to come into clubs to play the shows. But eventually George Drakoulias, a staffer at Rick Rubin's Def American label, caught the group playing a New York show and was so impressed that he not only helped to get them their label deal with Def American, he also stepped in to produce Shake Your Money Maker.
Splitting time between Atlanta's Soundscape Studios and three different studios in Los Angeles, the now newly renamed Black Crowes laid out their bluesy yet Southern rock inspired record throughout the course of Speaking of the name change, Chris Robinson told Q Magazine, "We were really into the Dream Syndicate, the Rain Parade, Green on Red all those Paisley Underground bands, so we wanted a psychedelic name. When we changed, we kept the Crowes because that's what people called us anyway."
The sessions also provided some stellar assistance, with The Allman Brothers' Chuck Leavell helping out on piano and organ, noted backing singer Laura Creamer helping to accentuate some of the record's chicken skin-raising moments and a young engineer named Brendan O'Brien chipping in on "a potpourri of instruments."
The Shake Your Money Maker album arrived Feb. 13, , but it wasn't an instant hit. "Jealous Again" was the first song released from the record, but it didn't catch fire immediately. Though the song's muscular opening riffs and killer piano backing are fan favorites now, it was a slow build until the track eventually climbed to No. 5 on the Mainstream Rock Tracks chart and enjoyed a bit of crossover hitting No. 75 on Billboard's Hot
However, people did take notice, picking out influences ranging from '70s-era Rolling Stones to making their Georgia connection to Southern Rock roots. What Southern rock became is not what the Allmans started out to be. They were creating a new Southern sound. And what we do now is what Id like Southern rock to become," Chris Robinson told Rolling Stone, adding, But there is a lot of the South in us. I dont know exactly what it is. Maybe its just that were a little closer to the ground. We have no pretensions about what we do. Were just a little earthier. We do things a little slower, more casual.
Black Crowes, "Jealous Again"
The second single, a cover of Otis Redding's soul classic "Hard to Handle," was the song that helped the group really start to see things take off. Drakoulias in an interview with the Atlanta Journal Constitution recalled pushing for a cover on the record. "I thought we should do a cover (on the album), and I think Chris came up with 'Hard to Handle.' I think he was kind of reluctant to doing Otis (Redding) and I said, 'Well make it into a rock thing.' I was reading the review (of the album) in Spin magazine and they quoted the song and said, 'Pure poetry from Chris Robinson.' (Laughs) We had an opportunity to expose kids to Otis and this amazing song and put this music out in the world."
Indeed, "Hard to Handle" was a rocked up version of the Otis original an easily memorable guitar line, an undeniable beat and Robinson's hoarse but swagger-filled delivery that made listeners want to heed the calling of the album's title. The song topped the Mainstream Rock Tracks chart and became their first Top 40 hit climbing to No. 26 on the Hot
Black Crowes, "Hard to Handle"
Keeping the rocking momentum going, "Twice as Hard" came next. The bluesy bend of the guitars and Chris Robinson's powerful belting provided more of an anthemic track for the band. Though not as big as its predecessor, "Twice as Hard" would hit No. 11 on the Mainstream Rock Tracks Chart and would be the last harder rocking single from the record.
The Black Crowes, "Twice as Hard"
While Black Crowes were starting to hit their stride with the listening audience, there were some critical of the group mining familiar territory, but that didn't bother Chris Robinson any.
What is original?" the singer remarked to Rolling Stone. Im not going to bang two badger carcasses together and recite poetry and say, Hey, heres the new thing. We sing a traditional type of music in a very untraditional way. Its country music, and blues and R&B and other things. Its ethnic music. Thats what we do.
Still, after a trio of bluesy rock bangers to make listeners stand up and take notice, the group showed their softer side, digging into their teen years output and finally sharing the acoustic guitar-leaning and soulful "She Talks to Angels" with the masses.
While the song deals with a darker theme of drug use, it was penned during a period when the Robinson brothers had yet to really experiment with their future excesses. "'She Talks to Angels' is about a girl I kind of knew in Atlanta who was a goth girl who was into heroin, so I made up a story about what if that was your girl," said Chris Robinson in their Croweology video series. "I didnt really know about that stuff except from afar at that time, which is probably why that song has a sincere relationship to a dark subject.
Indeed the song was able to connect. The video became an MTV hit and song inspired many fans to sing along to the heartfelt aches dripping from Robinson's voice. "She Talks to Angels" became their second chart-topper on the Mainstream Rock Tracks chart, hit No. 30 on Billboard's Hot and opened the door for the band to a lot of new avenues, especially with acoustic "unplugged"-type material really finding popularity at the time.
Black Crowes, "She Talks to Angels"
The band would release one more single, the heartbreak-inducing "Seeing Things" before concluding their radio promotion, but in all honesty they could've gone even further down the rabbit hole with killer tracks such as "Sister Luck" and "Could I've Been So Blind" still remaining favorites in the catalog despite never being issued as singles.
By the time all was said and done, Shake Your Money Maker had hit No. 4 on the Billboard Album Chart, but more importantly, it had provided a different voice in the rock world.
Sometimes I feel like were carrying the flag, Chris Robinson declared in a Rolling Stone interview. One part of it is, we were in the right place at the right time for our thing. But heres a band that people check out on MTV or in Rolling Stone and realize: Yeah, they say what they really wanna say and play what they really wanna. What a novel concept! That rock 'n' roll can be interesting and feel good and be a real living, breathing animal Then again, maybe its just that we play some songs and people like em.
In the years since its release, Shake Your Money Maker has been certified five times platinum, so yeah, people "liked 'em."
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