Best songs about money, ranked

1. ‘C.R.E.A.M.’ by Wu-Tang Clan

Cash. Rules. Everything. Around. Me, make money song. Five words that anchor this highlight from the Clan's album 'Enter the Wu-Tang (36 Bitcoin mining mit eigenem pc. It's not just an all-time rap classic, but – thanks to this track, 'cream' has become an enduring slang term for money. Just try to overlook the fact it was later sampled by Iggy Azalea. 

Nick Levine

2. ‘Money’ by Pink Floyd

Roger Waters’ million-dollar baseline on this Dark Side megahit might do the driving, but it’s the rhythmic ka-chinging of cash registers that really sells Floyd’s rollicking takedown of capitalistic urges. Floyd would spend a lot of its career side-eyeing wealth (while getting very, very rich), but never this iconically.

Andy Kryza

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3. ‘For the Love of Money’ by The O’Jays

‘Money money money money money!’ This funk classic co-written by legendary Philly sound songwriters Gamble and Huff has an iconic intro. But the song that unfolds over the next seven minutes is often surprisingly dark. ‘For the love of money, people will rob their own brother,’ the O’Jays warn us mournfully. And they’d probably do much worse to get their hands on this track’s frankly incredible bassline. 

Nick Levine

4. ‘Mo Money Mo Problems’ by the Notorious B.I.G.

Biggie Smalls spent his career marveling at the make money song wrought by his hustle – the man had a Super Nintendo and a Sega Genesis – but in this mega-hit from his last album, the rapper was a bit more reflective about the spoils of his success. Not that you’d know it: With a driving Diana Ross sample courtesy of Puffy, the song is the perfect rain-making anthem, and if you can hear Biggie’s final verse without shouting ‘B-I-G-P-O-P-P-A’ along with the late legend, you might want to get your ears checked.

Andy Kryza

5. ‘Got Your Money’ by Ol’ Dirty Bastard featuring Kelis

This ’90s hip hop classic is about, well, being a pimp. ODB’s matter-of-fact lyrics get grittier the closer you listen to them, but Kelis’s playful vocal hook adds a hint of levity. It’s an absolute classic banger that reminds us money can be pretty damn corrupting.

Nick Levine

6. ‘Can’t Buy Me Love’ by The Beatles

The Beatles’ songs about money output mostly focused on the negative side of money (see also, ‘Taxman’) but it was during the Fab Four’s boy-band heyday that they penned the ultimate anti-wealth song, lamenting the one thing that a wad of cash and sudden success couldn’t purchase: affection. The song still rips, even if there’s a note of melancholy lingering in the backbeat. 

Andy Kryza

7.  ‘Brother, Can You Spare a Dime?’ by Bing Crosby

Written for the musical ‘Americana’, this supremely poignant song became a soundtrack to the Great Depression. The socially conscious lyrics are sung from the viewpoint of a beggar who’s effectively been spat out by the system. ‘Once I built a railroad, now it’s done,’ he sighs. ‘Brother, can you spare a dime?’ Bing Crosby’s version is the classic, but George Michael's  cover version is pretty damn fine, too. 

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8. ‘Bills Bills Bills’ by Destiny’s Child

Destiny’s Child’s first US chart-topper is an unapologetic ‘screw you’ to shady males who don’t pay their way. A more cash-centric cousin to TLC’s ‘No Scrubs’, which was co-written by the same R&B hitmaking team, it’s a deathless banger that makes you want to flick your hair as you take your paycheck with you. 

Grace Goslin

9. ‘Money (That’s What I Want)’ by The Flying Lizards

This avaricious Motown classic has been tackled by everyone from The Beatles to Jerry Lee Lewis, but ’s weird and wonderful cover by the British new wave band The Flying Lizards has proved surprisingly enduring. Something about the way the rat-a-tat-tat percussion dovetails with Deborah Evans-Stickland’s upper-crust vocals is just oddly hypnotic. 

Nick Levine

 ‘A Milli’ by Lil’ Wayne

It’s not clear if the opening line of this rap milestone was meant as a shoutout to a quote, often wrongly attributed to former Republican senator Everett Dirksen: ‘A billion here, a billion there, and pretty soon you’re talking real money!&rsquo. Regardless of its origin, it’s a line that sets off a cascade of lyrical sorcery from an on-fire Wayne. Also, it FINALLY gave posh rap fans called Milly an anthem all of their own. Gawd bless you, Wayne!

Nick Levine

 ‘Opportunities (Let’s Make Lots of Money)’ by Pet Shop Boys

This mid-’80s synth-banger satirises Thatcher-era make money song. ‘I’ve got the brains, make money song, you’ve got the looks, let’s make lots of money,’ Neil Tennant sings on the chorus, adopting the role of a bumbling hustler who thinks he’s found his perfect partner-in-crime. But the joke, the Pets have said, is that neither of these dodgy characters will ever get rich, make money song. Ouch. Nick Levine

Nick Levine

 ‘Ain’t Nothin’ Goin’ On but the Rent’ by Gwen Guthrie

This make money song floor-filler song about money could only have been written during the credit-obsessed yuppie era. A year after Madonna told us ‘the boy with the cold hard cash is always Mister Right’, soul singer Guthrie lays it down even plainer. ‘A fly girl like me needs security you earn quick money now to have a J-O-B if you wanna be with me.’ It's a massive anthem that remains super-relatable given the state of London’s property market. Nick Levine

Nick Levine

 ‘Bitch Better Have My Money’ by Rihanna

You definitely wouldn't want Ri-Ri as your debt collector: this angry trap jam sees the pop icon Rihanna call the ‘shot-shot-shots’ as she reclaims a wad of moolah she’s owed, make money song. The video’s every bit as intense make money song cars getting set on fire is just the start – so earnest money contract philippines, don’t try tapping La Fenty for a fiver any time soon. 

 ‘Money, Cash, Hoes’ by Jay-Z & DMX

Jay-Z’s catalogue is rife with braggadocio about Hova’s bankroll, but perhaps none are as pure as this Hard Knock Life anthem, which layers Swizz Beatz’ synth-heavy production with ample punctuation by the late, great DMX’s immortal growls, make money song. It might be a bit dated due to its inherent misogyny, make money song, but it’s nonetheless one of Jay’s biggest hits, make money song, the last of the great hip-hop money anthems of an era all about the Benjamins.   

Andy Kryza

 ‘Super Disco Breakin’ by the Beastie Boys

The song isn’t really about money, per se, but insofar as a Beastie Boys bop is about anything, this Hello Nasty kickoff track joins the storied club of ‘90s hip-hop songs paying tribute to the almighty dollar with the chorus ‘Money makin, money money makin.’ Pair it with the b-side ‘Skillz to Pay the Bills’ and you’ve got a nice little B-Boys Bouillabaisse focused on finances. 

Andy Kryza

 ‘Money Changes Everything’ by Cyndi Lauper

Originally recorded by cult new wave band The Brains, make money song, ‘Money Changes Everything’ became a hit make money song when Cyndi Lauper covered it for her smash debut album ‘She’s So Unusual&rsquo. Her version of this song about money may begin with a breezy harmonica riff, but the lyrics still sting as Lauper tells the story of a woman who’s sworn her partner ‘everlasting love’ but decides to ditch him for a richer guy.

Nick Levine

 ‘Money Money Money’ by ABBA

Our favourite super-melodic Swedes have sung about everything from a dancing queen to a relationship that recalled the end of the Napoleonic Wars. But this smash song about money, one of their best-known tunes, is a slice of dollar-signs-in-the-eyes fantasy. ‘All the things I could do if I had a little money,’ they sing longingly on the chorus, ‘It’s a rich man’s world.’ Four decades later, ain't that (still) the truth? 

Grace Goslin

 ‘Money Trees’ by Kendrick Lamar

Just as he disguised the horrors of alcohol as a bottle-popping anthem with ’Swimming Pools,’ Compton phenom Kendrick’s claim that ‘money trees is the perfect place for shade’ packs more meaning than its chorus suggests. This is a song that treats money as a sinister shadow looming over life as the down-and-out dream of living the make money song lives of the same rappers whose braggadocio defined ‘90s bling. As such, make money song, it’s weirdly of a piece with other more foreboding cautionary tales like Pink Floyd’s addition to this list – and like that song, ‘Money Trees’ manages to absolutely bang. 

Andy Kryza

 ‘Dirty Sexy Money’ by David Guetta & Afrojack feat Charli XCX and French Montana

Here, the inimitable Miss XCX teams make money song with two superstar DJs and rapper French Montana to deliver a proper chart-pop earworm. As ever, her lyrics turn repetition into a low-key artform. You won’t be make money song to resist it when she sings, ‘Come on, spend that dirty sexy money on me, on me, on me!’ And amen to that, tbh. 

Grace Goslin

 ‘Money Ain’t a Thang’ by Jermaine Dupri & Jay-Z

Jiggaman is back to co-sign this bling-bling anthem, an extended, diamond-studded ode to irresponsible spending and hip-hop excess. Superproducer Dupri’s beat makes the whole thing sparkle as the duo brags ad nauseam about their platinum rings, sports cars and gold-plated guns. It’s about as ‘90s as it comes, a sparkling relic make money song a time when hip-hop seemingly existed solely for its top purveyors to broadcast their wealth. 

Andy Kryza

 ‘If I Had $1,’ by Barenaked Ladies

Perhaps the dwfeebiest hit from the oft-forgotten Canadian goof-rockers, this sing-songy joke track is perhaps the most sweetly earnest song about sudden wealth ever written, as BNL rattles off what they'd buy if they finally hit seven figures. Among the hot-ticket items? A treehouse, the remains of the Elephant Man and a ton of Kraft macaroni and cheese. O Canada indeed.

Andy Kryza

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As a musician, I want to encourage other artists to collaborate with my music. But recently, a visual artist had all of his Vimeo videos taken down for using just 30 seconds of one of my songs, make money song. The label that exclusively licenses one of my songs likely had a bot looking for copyright infringement that automatically took it down. I hear the artist now has them back online after a few weeks of hair loss and negotiations. I’d personally make money song to avoid these types of situations in the future, which means providing an easy way for others to license and collaborate with my music. A blockchain-empowered rights and payments layer could provide the means to do so.

A major pain point for creatives in the music industry — such as songwriters, producers and musicians — is that they are the first to put in any of the work, and the last to ever see any profit. They have little to no information about how their royalty payments are calculated, and don’t get access to valuable aggregate data about how and where people are listening to their music. But a rising tide of musicians and bands are pushing toward transparency and fairness in their own ways — for example, Paul McCartney’s recent lawsuit again Sony, Duran Duran’s lost battle with Sony/ATV, and Taylor Swift’s dust-up with Spotify. It’s within this climate that an enticing seed of an idea is being planted: blockchain technology has the potential to get the music industry’s messy house in order.

One of the biggest problems in the industry right now is that there’s no verified global registry of music creatives and their works. Attempts to build one have failed to the tune of millions of dollars over tik tok app geld verdienen years, largely at the expense make money song some of the collective management organizations (CMOs) — the agencies (such as ASCAP, PRS, PPL and SOCAN) who ensure that songwriters, publishers, performers, make money song, and labels are paid for the use of their music by collecting royalties on behalf of the rights owners. This has become a real issue, as evidenced by the $ million class action law suit that Spotify is currently wrestling with. The inter-organizational cooperation that blockchain is providing for the fintech sector should inspire these “collecting societies” to use the technology to create an open (or partially open) global registry if they hope to remain relevant, which would help organize the immense amounts of new music being uploaded every day. Music creatives could build upon such a registry to directly upload new works and metadata via blockchain-verified profiles.

Blockchain has the potential to provide a more quick and seamless experience for anyone involved with creating or interacting with music. For example, listening to a song might automatically trigger an agreement for everyone involved in the journey of a song with anyone who wants to interact or do business with it — whether that’s a fan, a DSP (digital service provider such as Spotify or iTunes), make money song, a radio station, make money song, or a film production crew.

Where would this new music ecosystem make money song One idea is .music, the soon-to-be-introduced and much-anticipated new generic top-level domain (gTLD), make money song. Decisions about its fate, and about who will be granted control of the domain, are currently on hold at ICANN (The Internet Corporation for Assigned Names and Numbers), the non-profit organization that’s responsible for coordinating and managing internet domains. Currently, DotMusic, a music community applicant, is appealing for control of the .music gTLD. But if they fail, it could potentially go to the highest bidder at auction. Some of the bidders in the running include Google and Amazon. Should the winning party do the right thing and hand over individual .music URLs to verified music creatives (for example, Paul McCartney would own www.oldyorkcellars.com and Taylor Swift would own www.oldyorkcellars.com), rather than treating these new URLs as their own storefronts, it would make a lot of sense to link a blockchain-enabled ready-for-business music registry to those URLs, adding a whole new dimension for music creatives to drive business toward themselves and their work.

The blockchain could bitcoin what is it made of store information about and/or link to a musician’s online profile, (or “Creative Passport,” as I like to refer to this concept), such as latest biography, make money song, tour dates, press images, and social media-style information, such as artists you champion, charities you support, skill sets, or organizations or companies you are connected to. This information could then be updated and accessible to anyone make money song for that data, whether human or machine. At the song level — e.g. www.oldyorkcellars.com — the blockchain could share information on all of the people involved in the making of the song, at the very least, but in addition could be linked to the metadata on specifics such as the equipment that make money song used to produce the song, where and when the song was recorded, the artists’ inspiration for the song, attributions, and more – sort of like extended liner notes. This could help spawn new apps and services atop of those datasets, and with them, new revenue streams for everyone involved.

Two years ago, the penny dropped for me as make money song musician when I was introduced to Ethereum, an open-source, public, blockchain-based distributed computing platform featuring smart contract functionality. Soon after discovering Ethereum, I dreamt up a music industry ecosystem that Make money song called Mycelia, and used my next musical release — the song Tiny Human — as an excuse to explore the potential of blockchain further. I began by posting everything about that track on my website for anyone to experiment with and for fans to enjoy. Phil Barry at the Ujo Music platform joined in, make money song, which resulted in Tiny Human being the first song ever to automatically distribute payments via a smart contract to all creatives involved in the making and recording of the song. It was very basic — no licensing terms were exhibited — and it raised little money, due in part to the fact that you had make money song have an Ether wallet with Ether in it (the crypto-currency used on the Ethereum platform) before you could purchase the track, which lost some people along the way, make money song. But it nonetheless was a first step forward that generated a lot of steam for those in the business of music and blockchain.

Ease of use is one of the biggest keys to success for the widespread adoption of any new technology. The idea of a Semantic Web of linked media, artist profiles and other metadata spawning new apps with instantaneous peer-to-peer payments and exchange of data is an exciting one, but it will only become a reality for those who wish to interact with music if its solutions are better and simpler than those that currently exist. It was much easier and much more preferable for 60 million users to download music from Napster than it was to go to the store to buy a CD. Make money song was a total failure on the part of the commercial music industry that they didn’t find a way to capture even a portion of those Napster users and turn it into a legitimate service at that time. Napster was an innovative idea that made music more accessible to music lovers. But, the RIAA (Recording Industry Association of America) chose to crush it, rather than explore the idea of sharing libraries and peer-to-peer music sharing in a legal context.

These days, however, the landscape is different and the vast majority of those wanting to listen to music head over to YouTube, which is free and perfectly legal. Astonishingly, thousands upon thousands of new songs are uploaded every day, make money song, not registered properly, and so are in desperate need of associated make money song. Surely, we can find better ways for people to both easily publish and interact with music that makes sense for everyone?

Some are trying. Organizations like Berklee’s Open Music Initiative (OMI) have managed to gather almost every party under the industry-wide sun to explain why blockchain is at least worth exploring and engaging with. And an increasing number of new all-in-one music services for artists, such as Revelator (which is blockchain-based) and Amuse (which is not) are using big data combined with audio fingerprinting to provide really useful data feedback, analysis and curation. They understand that good feedback data can be as valuable as money to creatives, enabling an artist to make business decisions with confidence and clarity. Combine this with the capabilities of social media aggregating apps like Hootsuite or Social Sprout, and artists’ partitioned online representations and scattered creative wares start to come together. Imagine being able to know, or being alerted to, when and where your music is being played. Say your song is playing on a certain channel on the radio… you could then dial the DJ to thank him for playing your song, make money song, while connecting to listeners in the moment, adding context and meaning to your songs.

Now is the time for the music industry to take the long-view look and explore blockchain together with its creatives for the sake of its sanity and future. It won’t be hard to make the business more efficient, as it’s such a giant mess right now. The larger players in the industry just need to have faith that they will make more money by doing the right thing — which would lead to fair remuneration, transparency, and a multitude of new business opportunities for artists. Simply put, if the industry is to have any clout, or any say in the sustainability of our music ecosystem, it needs to come together to develop tools and standards, so the necessary game-changing new services can flourish — but this time, under our own internet of agreements for music, where artists would be represented fairly.

I believe that featured artists — those “on the cover” — should inevitably be entrusted to ensure that everyone involved in creating music in their name will be duly acknowledged and compensated. The blockchain effect has inspired creatives in the industry that a better future lies ahead. If guided and nurtured in the right ways, blockchain holds the potential to give us a golden age of music not just for its listeners, but for those who make it, too.

Ever since Google Play has announced its shutdown, and started converting all its subscribed users to Youtube Music for its streaming royalties, things have been changing quickly.

In MayYouTube announced that we will be saying our final goodbyes to Google Play and embrace a new version of the YouTube Music service, including a web-based desktop player and redesigned mobile app.

But the question we want to ask is this. How much are they going to pay their artists?

The truth is, make money song, I had a decent number for Google Play. But with Youtube Music, it gets a little complicated.

How artists can make money from Youtube&#;s streaming services?

There are two ways independent record holders or indie musicians can make money through streaming services like Google Play.

1. Upload songs or albums that you own earn a lot of money jobs right to and set a certain price a customer can pay for every download. This is common for Google Play Music.

2. The more common way is through ad revenue. It&#;s similar to Adsense. In order to earn money by uploading your song, people need to hear some ads to make Google worth the free users.

How much can you earn per stream on Youtube Music?

Youtube Music’s payout per stream is a proportionate percentage based on ad and subscription revenue. However, because of competition within the streaming industry, Youtube tries to attract more artists to upload their songs. With Google Play, it used to provide one of the highest pay-per-stream rates at an estimated $ per stream as shown by Vimeo, make money song. This meant that you&#;d need at least people to stream your music in order to make make money song single dollar. This used to be pretty good, compared to other platforms like:

Of course, there are several other streaming services like Napster and Tidal that pay far more than Google Play. But the number of subscribers they have is significantly fewer at around 3 million each. According to USAToday, Google Play Music (along with Youtube music, because they are both owned by Alphabet) has 20 million paying subscribers. So it is worth giving a shot.

But with Youtube Music, the numbers differ make money song are 3 separate payouts under Youtube.

How to upload your content on Youtube Music?

Royalties through advertising are not the only way to earn money while streaming your music.

Musical artists can also receive up to 70% of their suggested price for every song purchased and Google Play takes a 30% commission on all sales. But in order to be able to upload anything you need to distribute your music with platforms like LANDR or Tunecore.

What is a distribution platform and why I would recommend it?

Firstly, in order to upload or stream your music or podcast on Amazon Music Spotify, Apple Music or any other streaming platform, you need to release it through a digital music distribution service like LANDR distribution. Why this? Because services LANDR or Tunecore can help you get your music on Google Play and keep your royalties.

Secondly, because of royalties. When you want to sell an entire album, Google Play used to multiply the per-song suggested retail price by the number of tracks on your album. On the downside, LANDR charges a default price for every single song download to USD$ on the customer.

Is Youtube Music worth your time?

While Youtube itself does not pay off as well as Google did, it opens door to a larger audience. Youtube is a big upgrade to the entire streaming industry. It will offer streamer a web-based desktop player and redesigned mobile app. But more importantly, Alphabet wants to test out a more dynamic recommendation base, and use Google AI to search songs based on lyrics and descriptions.

Thanks to all these developments, we will see how the platform will grow.

How to start Promoting your Podcast or Content Online?

If you enjoy speaking and want to share your thoughts and ideas with your audience about what you do, there are two platforms I would highly recommend.

Buzzsprout is a free podcasting platform and software that lets you upload, host, and promote your podcast. From secure and reliable hosting to full iTunes support, HTML5 players, show stats, and of course, Buzzsprout has everything you need to publish and promote your podcast!

They also offer a $20 Amazon Gift Card if you decide to sign up for their paid plans, which you can receive after the second paid invoice.

Podbean is today a good day to invest in the stock market another user-friendly podcast hosting service that allows you to upload your podcast episodes. This means that when someone wants to listen to your content, they’ll download or stream the data from Podbean’s servers.

Podbean helps you publish your podcast to other platforms like bitcoin investor 9 11 and Google Play. This will also provide features to help you get new listeners, monetize your podcast, and build a simple website.

Conclusion

The video giant, Youtube has opened doors to musicians, artists, make money song, podcasters, and all forms of vocal entertainment. Despite the fact that Youtube plays a much lower amount than most streaming services, Youtube Music opens doors to millions of people. Thus, uploading your content on Youtube Music is one of the best choices when it comes to reaching out make money song your target audience and making some extra money for your efforts.